Goodbye GX9, Hello G9 II - Sharper Stories, Faster Moments
There’s something oddly emotional about upgrading a camera. You spend years learning its quirks, its sweet spots, its “don’t even try that” limitations. You know exactly how it behaves in low light, how it hunts when a dog sprints toward you, and how many frames you can fire before the buffer throws a tantrum.
My trusty Panasonic Lumix GX9 has been all of that for me. Compact, discreet, brilliant for travel, and surprisingly capable for its size. But as I've grown and adapted to my photography style, the GX9 has started to feel like it’s doing its best impression of a sprinter wearing flip‑flops.
So… I finally did it. I upgraded to the Lumix G9 Mark II.
And honestly? It’s like someone handed me the same Micro Four Thirds world I already love, but turned all the dials up to eleven.
First Impressions - Yes, It’s Bigger. No, I Don’t Care.
Let’s start with the obvious. The G9 II is bigger. Coming from the GX9, which is practically pocketable, the G9 II feels like a proper photographic tool, solid, sculpted, and ready for anything. The deeper grip alone is a revelation. It balances beautifully with longer lenses, feels secure even in those brisk coastal winds, and gives you that reassuring sense of control that the GX9, for all its charm, never quite managed.
This isn’t a camera you tiptoe around. It’s a camera you lean into.

Image Quality - The Jump I Didn’t Realise I Needed
I expected a bump in quality. What I didn’t expect was how much more confident the G9 II’s files feel.
The dynamic range is noticeably better. Shadows lift cleanly. Highlights cling on longer. Colours feel richer and more natural, especially the subtle tones that matter for landscapes, portraits, and those many shots of Milly. There’s more depth. More nuance. More room to push and pull in Lightroom without watching the image fall apart.
The GX9 was good. The G9 II is grown‑up good.

Autofocus - The Real Reason This Upgrade Was a No‑Brainer
Let’s talk about the thing that made me grin like an idiot on the first shoot: animal and people tracking.
The autofocus is fast, sticky, and intelligent in a way the GX9 simply couldn’t match. People tracking is superb, it locks onto eyes with a confidence that transforms portrait sessions. Animal tracking is equally impressive, and for me, that’s huge. Milly’s beach runs, her curious glances, her mid‑shake moments… the G9 II catches them with a reliability that makes shooting feel effortless.
Where the GX9 sometimes hesitated, the G9 II commits. Where the GX9 hunted, the G9 II locks. Where the GX9 hoped, the G9 II knows.
It’s the difference between “I think I got it” and “I absolutely got it”

Speed - Because Milly Doesn't Wait for You to Catch Up
The GX9 could shoot fast enough for casual action. The G9 II shoots fast enough to capture a sneeze mid‑sneeze.
The burst modes are ridiculous in the best possible way. You press the shutter and the camera basically says: “How many frames would you like? All of them?”. For Milly moments, this is gold. For family shoots, it’s a lifesaver. For wave and surfing action shots, it’s a whole new level of flexibility. Moments that used to slip through the cracks are now frozen in perfect clarity
Lens Compatibility - The Joy of Staying in the System You Love
One of the biggest reasons I’ve stayed with Micro Four Thirds is simple, my lenses still fit.
No adapters. No compromises. No “start again from scratch”. Every lens I’ve collected over the years from the primes, the workhorse zooms, the characterful favourites, all mount onto the G9 II and instantly feel revitalised. Better stabilisation. Better autofocus. Better output.
It’s like my entire lens collection got an upgrade without costing me a penny.

Real‑World Shooting - The Pixelpaths Difference
This is where the G9 II really earns its keep and shows its difference.
On the beach - The wind, the spray, the shifting light — the G9 II handles it all without flinching. Weather sealing means I’m not babying it. The grip means I’m not fighting it. The autofocus means I’m not missing the moment where Milly looks back over her shoulder with that “are you keeping up?” expression.
Out & About - Low light used to be the GX9’s Achilles heel. The G9 II stabilisation + better sensor + smarter AF = suddenly I’m shooting confidently under the canopy without ISO panic.
At home with Mad Milly Moments - Milly's unpredictable? Her sudden bursts of enthusiasm? Or her “I’ll pose when I’m ready” attitude? The G9 II keeps up with all of it. It’s not just an upgrade. It’s a workflow transformation.

Final Thoughts - This Upgrade Wasn’t Just Worth It. It Was Necessary.
The Panasonic Lumix GX9 has served me brilliantly. It taught me, pushed me, and helped shape my photography into what it is today.
Upgrading from the GX9 to the G9 Mark II wasn’t about chasing specs. It wasn’t about having the newest toy. It was about aligning my tools with my vision. PixelPaths is evolving, and my photography has evolving. And the G9 II gives me the speed, the reliability, the image quality, and the creative freedom to match where I am now and where I’m heading next.
The GX9 will always have a place in my story. But the G9 II? This is the camera that lets me take the photos and tell the stories of what's to come.